I try not to write too much like an indie kid on this blog. Like mentioning bands off-hand like you’ve all heard them. I mean, I’ll link to an article on a band I like, but I figure if you’re interested you’ll click it and if not you’ll skip it. But I have been kind of loving a lot of music lately, so I’m going to geek out and make you all a little mixtape of what I love right now. I’ll try to include some links to downloads/streams when possible.
Sadly, this might be a substitute for participation in this year’s wild-n-crazy mix game.
Side A:
1. Arrah and the Ferns - Skylark (stream it on their MySpace)
I’ll start you out with a double dose of cute. First up, Arrah and company. There are so many good songs on this record — Evan is a Vegan — but for some reason this one sticks with me. It features the male vocalist more, which is atypical of the album, but Arrah comes in soon enough. And the ending of the song is really quite lovely with the piano and boy/girl vocal harmonies.
2. The Seedy Seeds - Earned Average Dance America (stream it on their MySpace)
Cute take two. I really can’t wait for this band to come out with a studio album and tour. They’re from Cincinnati, so I periodically daydream about taking a road trip out there and, on the way to the show, getting some Skyline Chili, stopping by Jungle Jim’s and staying with my aunts (and avoiding their cats). But until then, they’ve got some lovely streamables on their MySpace. This track is a lot of fun and has their typical wacky instrumentation — banjo, accordion and a cowbell loop. Add the boy/girl vocals and I’m sold.
3. Menomena - Duel
I wasn’t really expecting too much from this band, because they seemed (at first) to be a Pitchfork-y flash-in-the-pan. However, I have really become obsessed with this song. It’s a weird one — driven by an organ and whimpering vocals — and featuring acoustic guitar licks and random trombones. I have to admit, the rest of the album hasn’t grabbed me as much as this track, but you can download Wet and Rustling here and it’ll give you a taste of the band.
4. Tom Vek - That Can Be Arranged
This is an older track (then again, my definition of ‘old’ is two years) from Tom Vek — his new album is allegedly coming out this summer. I was initially obsessed with the song “C-C (You Set The Fire In Me)” (download it here) because of its amazing drumwork, but now I’ve moved onto the closer, “That Can Be Arranged.” The whole album is really melodic, but it’s not done through guitars. That said, this track is probably one of the more guitar-heavy ones, although the guitars on the song are tinny and acoustic. It’s hard to describe this song — full of bloops and bleeps, a slinky beat and Vek’s relaxed, slightly accented vocals (he’s from London). If you like C-C, get the album and then turn it to track ten. Mkay?
5. Get Him Eat Him - CBT (demo) (download the solid track 2×2 at the Arms Down Web site)
So, Get Him Eat Him’s new album doesn’t come out til early June, but I managed to get my hands on their Do As I Tell You demo EP, which contains this song. The studio version will appear on the album, Arms Down. This song has been in my heavy rotation for a long time, with its crashing guitars and harmony-soaked conclusion. I can’t wait to find out what the polished-up version sounds like, even though nothing really sounds wrong with the demo to me.
6. Idlewild - Finished It Remains (download it here)
By now you probably know that Idlewild is pretty much my favorite band. When I first acquired the new CD, Make Another World, I listened to it one track at a time. Starting at number one, I’d just keep listening to new tracks every couple days to savor having a new Idlewild album in my life. So, imagine my surprise and delight when the final track on the album turns out to be one of the best. Finished It Remains is surprisingly up-tempo for an album closer and has a pretty great vocal turn from good old Roddy. The songwriting seems a bit more personal than I’m used to hearing out of him — he’s never really been a confessional lyricist — and the tone of the song seems a bit plaintive (especially at the end), which is not really a tone I’m used to from this band.